Showing posts with label james earl jones. Show all posts
Showing posts with label james earl jones. Show all posts
Thursday, June 25, 2009
Claudine
I rented "Claudine" on Netflix a few months ago. Three thoughts occurred to me. More on that later.
"Claudine" was released in 1974 and starred Diahann Carroll in the title role as a Harlem mother with six kids. James Earl Jones co-starred as Rupe, her love interest. The movie is a love story, but it's also a tart commentary on racism, poverty, sexuality and parental responsibility. And it's funny with a great score by Curtis Mayfield.
The role earned Carroll an Oscar nomination for Best Actress in 1975, but she lost to Ellen Burstyn, who grabbed the statuette for "Alice Doesn't Live Here Anymore." Carroll was recommended for the role by Diana Sands, who was originally cast as Claudine, but was dying of cancer.
And now to my three thoughts about "Claudine."
(a) "Claudine" is good piece of filmmaking with crisp writing punctuated by Carroll's performance. Her Oscar nomination wasn't 1970s tokenism; she really was that good.
(b) Today, the movie would be made differently. The plot of the struggling single mother with a houseful of boisterous kids who finds love would pass muster now, but the scene where Claudine beats her daughter? I wonder. Or the subplot with the oldest son being a frustrated revolutionary: today they'd make him a snarling gang member. And somebody would have to die. And what of Claudine herself? She is smart, vulnerable and sexy. Today she'd be a wounded figure who would find herself through the course of the movie, probably in some confessional melodramatic scene.
And that led to my third thought: Lord have mercy, "Claudine" has "Tyler Perry Remake" written all over it.
(c)And with that, I was going to make a smarty-assed comment about my fear of Perry doing some slack-plotted, simplistically-written remake complete with face-slappings, neck-rolling "she told him" scenes, and--of course---set in Atlanta.
But as I think about it, maybe him remaking "Claudine" isn't a bad idea. A new movie could shine if Perry is properly inspired by the original's tight well-done script. Taraji P. Henson as Claudine...Boris Kudjoe/Morris Chestnut/Jeffrey Wright as Rupe..and nobody--and I mean nobody even remotely connected with the writing or acting in "Meet the Browns" or "Tyler Perry's House of Payne," who knows? It might be good?
Until then, the original is worth checking out. And here's an excellent and very pointed interview with Carroll discussing the role:
Labels:
Claudine,
Diahann Carroll,
james earl jones
Tuesday, January 20, 2009
Inauguration Day: America's First Black President
Frankly, I'm surprised this 1972 movie isn't being referenced these days. "The Man," stars James Earl Jones as Douglass Dilman, a U.S senator who becomes the country's first black president.
But even in the movies back then, it was impossible for a black man to be flat-out elected president. Senator Dilman, president of the senate, gots the nod after a building collapse killed the president and the speaker of the house--and the vice president declined because he's too old.
"The Man" was made for ABC-TV, but had a theatrical run before heading to television. Jones talked about the movie a little earlier this month in the LA Times. "I have misgivings about that one," he said of the film. "It was done as a TV special. Had we known it was to be released as a motion picture, we would have asked for more time and more production money. I regret that."
Labels:
james earl jones,
obama,
president,
the man
Subscribe to:
Posts (Atom)